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Artists and Works



This activity contains 23 questions.

Question 1.
The various Germanic peoples who were settled in the former Roman territories often worked in an artistic manner known as the __________ style.


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Question 2.
The Sutton Hoo purse lid is decorated with intricate _____________ , whose designs come from wide-ranging sources.


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Question 3.
An early-seventh-century burial mound, excavated in the English region of East Anglia at a site called _____________, concealed a hoard of Anglo-Saxon treasures.


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Question 4.
In the Chi Rho Iota page of the Book of Kells, the Greek letters create an irregularly shaped form that resembles a cluster of _________.


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Question 5.
In the Chi Rho Iota page of the Book of Kells, the cat-and-mice scene signals __________.


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Question 6.
As Christianity spread through the islands, Hiberno-Saxon scribes adapted _____________ styles for large, lavishly decorated gospel books.


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Question 7.
To proclaim the glory of the new empire Charlemagne had created, architects, painters, and sculptors turned to the two former Western imperial capitals, Rome and __________, for inspiration.


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Question 8.
The inspiration for Charlemagne's palace chapel at Aachen was __________.


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Question 9.
___________ developed a general plan for the construction of monasteries; the plan survives in the library of the Abbey of Saint Gall in modern Switzerland.


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Question 10.
The style of the figure of Christ on the outer cover of the Lindau Gospels (figure 10-9) suggests ___________ influence.


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Question 11.
Bishop Bernward of Hildesheim, besides being a cleric and a great patron of sculpture, was also an artist, specifically a skilled __________.


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Question 12.
The bronze doors that Bishop Bernward had cast for the Church of St. Michael at Hildesheim are _________.


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Question 13.
The bronze doors of the Church of St. Michael's at Hildesheim have scenes from the Old Testament on the left side and scenes from the New Testament on the right side. In each pair of scenes, the Old Testament event can be interpreted __________.


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Question 14.
The artist of the presentation page of the Hitda Gospels (figure 10-14) arranged the architectural lines of the convent in the background to __________.


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Question 15.
The nave of the Abbey Church of Saint-Savin-sur-Gartempe has ___________ covered with painted Old Testament scenes.


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Question 16.
The artists who painted at Saint-Savin-sur-Gartempe had seen paintings by Byzantine, Carolingian, or __________ artists.


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Question 17.
The artist of the apse painting from San Clemente took a Byzantine model but turned facial features and draperies into __________.


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Question 18.
The Last Judgment scene at Autun's Saint-Lazare appears __________.


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Question 19.
The tympanum at Saint-Lazare, Autun, was designed and carved by __________.


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Question 20.
The sculptor of the column capital, The Magi Asleep, used __________.


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Question 21.
Recent research suggests that the embroiderers of the Bayeux Tapestry were __________.


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Question 22.
Between 1093 and 1133, the Durham builders developed a __________ that was carried to the Norman homeland in France.


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Question 23.
A product of the logic so characteristic of the Normans, the design of the facade of Saint-Étienne __________, an idea that would be adopted by Gothic builders.


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