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Chapter 10
Artists and Works
Artists and Works
This activity contains 23 questions.
The various Germanic peoples who were settled in the former Roman territories often worked in an artistic manner known as the __________ style.
animal
barbarian
Celto-Germanic
The Sutton Hoo purse lid is decorated with intricate _____________ , whose designs come from wide-ranging sources.
cloisonne enamel
tile enamel
glass enamel
An early-seventh-century burial mound, excavated in the English region of East Anglia at a site called _____________, concealed a hoard of Anglo-Saxon treasures.
Hiberno-Saxon
Sutton Hoo
Gummersmark
In the Chi Rho Iota page of the Book of Kells, the Greek letters create an irregularly shaped form that resembles a cluster of _________.
Latin characters
gold and enamel brooches
insects
In the Chi Rho Iota page of the Book of Kells, the cat-and-mice scene signals __________.
the triumph of good over evil
the triumph of evil over good
the old Celtic love of animals
As Christianity spread through the islands, Hiberno-Saxon scribes adapted _____________ styles for large, lavishly decorated gospel books.
pagan
Islamic
Byzantine
To proclaim the glory of the new empire Charlemagne had created, architects, painters, and sculptors turned to the two former Western imperial capitals, Rome and __________, for inspiration.
Nîmes
Constantinople
Ravenna
The inspiration for Charlemagne's palace chapel at Aachen was __________.
Sant'Apollinare in Classe
San Vitale in Ravenna
Saint Peter's in Rome
___________ developed a general plan for the construction of monasteries; the plan survives in the library of the Abbey of Saint Gall in modern Switzerland.
Saint Benedict of Nursia
Abbot Haito of Reichenau
Abbot Dominicus
The style of the figure of Christ on the outer cover of the Lindau Gospels (figure 10-9) suggests ___________ influence.
Hiberno-Saxon
a classical
Viking
Bishop Bernward of Hildesheim, besides being a cleric and a great patron of sculpture, was also an artist, specifically a skilled __________.
manuscript illuminator
icon painter
goldsmith
The bronze doors that Bishop Bernward had cast for the Church of St. Michael at Hildesheim are _________.
more than 16 feet tall
more than 40 feet high
less than 7 feet tall
The bronze doors of the Church of St. Michael's at Hildesheim have scenes from the Old Testament on the left side and scenes from the New Testament on the right side. In each pair of scenes, the Old Testament event can be interpreted __________.
as a prefiguration of the New Testament event
as a completely independent scene, unrelated to the New Testament scene next to it
as something refuted by the New Testament scene
The artist of the presentation page of the Hitda Gospels (figure 10-14) arranged the architectural lines of the convent in the background to __________.
frame the figures and draw attention to the transaction between the figures
be barely visible and therefore not detract from the figures in the foreground
make the magnificent convent the principle subject of the scene
The nave of the Abbey Church of Saint-Savin-sur-Gartempe has ___________ covered with painted Old Testament scenes.
rib vaults
groin vaults
a tunnel-like barrel vault
The artists who painted at Saint-Savin-sur-Gartempe had seen paintings by Byzantine, Carolingian, or __________ artists.
Hiberno-Saxon
Persian
Early Christian
The artist of the apse painting from San Clemente took a Byzantine model but turned facial features and draperies into __________.
elegant patterns
fully three-dimensional forms that remind one of the wall paintings at Roman Pompeii
something that looks much more like Chinese painting
The
Last Judgment
scene at Autun's Saint-Lazare appears __________.
on the typanum
on the trumeau
at the base of the lantern
The tympanum at Saint-Lazare, Autun, was designed and carved by __________.
Lazarus
Gislebertus
the San Clemente Master
The sculptor of the column capital,
The Magi Asleep
, used __________.
a single vantage point to show the scene
two vantage points to show the scene
six vantage points to show the scene
Recent research suggests that the embroiderers of the
Bayeux Tapestry
were __________.
children
women
people without fingers
Between 1093 and 1133, the Durham builders developed a __________ that was carried to the Norman homeland in France.
style of architectural sculptural decoration
style of mosaic decoration
system of vaulting
A product of the logic so characteristic of the Normans, the design of the facade of Saint-Étienne __________, an idea that would be adopted by Gothic builders.
reflects the plan and the elevation of the church itself
makes the height of the church seem much smaller than it really is
cleverly hides the plan and elevation of the church that lies behind the facade
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