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Chapter 7

Fill In The Blanks

Fill In The Blanks

This activity contains 10 questions.

	Munsell selected the secondary colors for his primary colors based on _________.   Newton’s complementary colors Newton’s color wheel Simultaneous contrast The spectrum

	The rules of atmospheric or aerial perspective were thought to be formulated by ________ .   Albert Munsell Raphael Titian Leonardo da Vinci

	By the nineteenth century, _________ perspective had come to dominate the thinking of landscape painters.   linear aerial "two-point" linear axonometric

	A color’s brightness or dullness is called its _______.   shade intensity or saturation hue relative key

	The gradual transition from light to dark in a painting was referred to by Renaissance artists as ________.   pointillism tenebrism chiaroscuro hazing

	Artemisia Gentileschi used ________, a painting technique that means "murky."   pointillism hazing chiaroscuro tenebrism

	Using closely drawn parallel lines to create an area of shade is called ________.   in-lining tenebrism rendering hatching

	Adding white to a hue creates a ________.   shade tint secondary color hue

	When painting technique depicts the haze or humidity of the atmosphere in a scene, we call the overall effect _________ perspective.   axonometric atmospheric or aerial tenebraic optical

	On Newton’s color wheel, colors that lie directly between a secondary and a primary are called ________.   intermediate tertiary cool or muted analogous

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