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Chapter 4
Fill In The Blanks
Fill In The Blanks
This activity contains 10 questions.
_________ was referred initially to as "an explosion in a shingle factory?"
Luncheon on the Grass (Déjeuner sur lherbe)
Nude Descending a Staircase, No. 2
The Judgment of Paris
Man walking in a Black Suit
The Arts in Public Places program was likened to a mass-audience _________ course.
distance learning
public education
art appreciation
art history
______ hurled stones at Michelangelos
David
after its completion.
supporters of the Medicis
members of the priesthood
the Abstract Expressionists
French loyalists
The block of marble from which Michelangelos
David
was carved was a sculptural challenge. ________ was offered, but refused the enormous task before it was accepted by Michelangelo.
Raphael
Leonardo da Vinci
Brunelleschi
Titian
The artist Guillermo Gómez-Peña makes work about the relations between the United States and Mexico. Gómez-Peña call his works _______.
North and South, an Anthology
Windows to the Soul
Texercises
Border Crossings
Artists who deal with social issues, such as Lacy and Labowitz, or Group Material, find themselves in the role of artist as _________.
administrator
professional
activist
poet
_________, in Grand Rapids, Michigan, was one of the first works of art to be installed as a result of the NEA's Arts in Public Places Program.
Michelangelo's
David
Stone Field Sculpture
the
Velodome
La Grande Vitesse
Artist Carl Andre stated that one thing he hated most in public art was a piece of abstract art that was nothing more than a _______.
political homage to a forgotten leader
disguised man on horseback
student design project
big rusty wall
________ became the source of public outcry and a political wedge against public art during the 1980s.
the
Tilted Arc
La Grande Vitesse
David
Stone Field Sculpture
___________ is the artist who created a vehicle for the homeless due to the failure of New York City's shelter system.
Richard Serra
Alexander Calder
Krysztof Wodiczko
Carl Andre
Guillermo Gómez-Peña
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