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Chapter 4

Multiple Choice

Multiple Choice

This activity contains 8 questions.

	Manet’s Luncheon on the Grass (Déjeuner sur l’herbe) (page 61) was rejected from the major Salon exhibition of 1863. Where was it exhibited?   at the Salon des Refeusés it was never exhibited publicly at the Ecole des Art in England at the Grand Palace

	According to Sayre, why has the public historically received new and innovative work with reservation?   The work rarely sells to patrons. The artists who produce it are too controversial. The general public prefers representational art. There is little historical context to judge it against. The general public simply is not smart enough.

	Manet's Luncheon on the Grass (Déjeuner sur l’herbe) was actually based on an engraving depicting   the storming of the Bastile. a man walking in a black suit. a nude descending a staircase. a large salad. the Judgment of Paris.

	Most Americans were introduced to "modern art" at an exhibition called   the Venice Bienalle. the Chicago Exposition. the Armory Show. the Ecole des Art. the Salon des Refeusés.

	Etienne-Jules Marey called his unusual motion photographs of the model in the black suit   daguerreotypes. time/motion studies. tin types. calo-types. chrono-photographs.

	After Congress funded the National Endowment for the Arts (NEA) in 1967, artists who previously had made art for a specific "art loving" audience, found themselves with a new audience? Who comprised this new audience?   school children newspaper editors everyone the European public skeptical congressional leaders

	What specific component of the NEA made works of art available to the general public?   the National Gallery Cooperative The museum "Art Loan" program the National Gallery the Helms amendment the Arts in Public Places Program

	Carl Andre’s Stone Field Sculpture was at first rejected then approved by the public. Why?   Andre demonstrated his true interest in the site. All answers are correct The work visually related to the site. Andre convinced the public he was sincere. The work equated geologic time to historic time.

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