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| 1 . |
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By the early 16th century, the rondeau had been displaced by chansons based on what principle?
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| 2 . |
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Claudin de Sermisy (ca. 1490-1562) and Clément Janequin (ca. 1485-ca.1560) worked extensively in which of the following genres?
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| 3 . |
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In the Parisian chanson, where do we expect to find the melody?
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| 4 . |
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The songs La guerre, Le chant des oiseaux, La chasses, Les cris de Paris, and Le caquet des femmes are examples of works which are what?
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| 5 . |
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In referring to the 16th-century madrigal and the frottola, which of the following statements is true?
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| 6 . |
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Madrigalists were particularly inspired by the poetry of what earlier author?
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| 7 . |
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Which of the following is not a notable Italian poet who supplied madrigal texts?
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| 8 . |
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Which of the following is not a notable 16th-century composer of madrigals?
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| 9 . |
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According to the Composer Profile on pp. 148-49, which of the following is not true of Madalena Casulana?
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| 10 . |
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In Lassus' todesca Matona mia cara, what is the nationality of the narrator?
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Answer choices in this exercise are randomized and will appear in a different order each time the page is loaded.
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